{"id":375,"date":"2007-01-01T00:26:19","date_gmt":"2006-12-31T23:26:19","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/indice-musica-2006\/"},"modified":"2009-12-09T00:59:38","modified_gmt":"2009-12-08T23:59:38","slug":"indice-musica-2006","status":"publish","type":"page","link":"https:\/\/maurograziani.org\/wordpress\/indice-musica-2006","title":{"rendered":"Indice Musica 2006"},"content":{"rendered":"

Ecco l’indice di tutti i brani musicali pubblicati su MG Blog nel 2006.
\nDa qui potete cliccare sul titolo e ascoltare direttamente l’audio oppure cliccare sul post e andarci.
\nMancano i video, per ora.
\nTenete conto che non tutti i brani sono sul mio sito, quindi alcuni link potrebbero non essere pi\u00f9 raggiungibili (ANABlog, per esempio, ha ristrutturato tutto e molti mp3 non ci sono pi\u00f9).
\nLa tabella contiene autore, titolo e link al post in cui il brano era stato pubblicato.<\/p>\n

Here is the index to all musics published on MG Blog in 2006. You can click the title to hear the music or click the post to jump it directly.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Autore\/Author<\/th>\nTitolo\/Title<\/th>\nPost<\/th>\n<\/tr>\n
Mauro Graziani<\/td>\nThat Goodbye<\/a> (2002)<\/td>\nThat Goodbye<\/a><\/td>\n<\/tr>\n
John Cage<\/td>\nConcerto per piano e orchestra<\/a> (1957-58) – Takahashi Yuji, piano<\/td>\nHappy New Ear<\/a><\/td>\n<\/tr>\n
David Sylvian<\/td>\nfrom Gone To Earth (1986), Before The Bullfight<\/a><\/td>\nPop (?) music that I loved (5)<\/a><\/td>\n<\/tr>\n
Crumb<\/td>\nfrom Music for a Summer Evening (Makrokosmos III), 5 – Music of the Starry Night <\/a>(1974), for 2 pianos and 2 percussionists<\/td>\nMusic for a Summer Evening<\/a><\/td>\n<\/tr>\n
Tom Waits<\/td>\nSilent Night<\/a><\/td>\nSilent Night<\/a><\/td>\n<\/tr>\n
Cntaloup<\/td>\njonathan falls into sleep<\/a><\/td>\nCantaloup<\/a><\/td>\n<\/tr>\n
Faune<\/td>\nfrom \u201cau del\u00e0 de beaut\u00e9\u201d, trou noir stellaire<\/a><\/td>\nFaune<\/a><\/td>\n<\/tr>\n
Corporal Blossom<\/td>\nWhite Christmas<\/a><\/td>\nWhite Christmas<\/a><\/td>\n<\/tr>\n
Alban Berg<\/td>\nSonata per pianoforte op.1<\/a> (1908) – Erik Wickstr\u00f6m pianoforte<\/td>\nAlban Berg<\/a><\/td>\n<\/tr>\n
Nuova Consonanza<\/td>\nOmaggio a Giacinto Scelsi<\/a> (1976)<\/td>\nNuova Consonanza<\/a><\/td>\n<\/tr>\n
<\/td>\nTake a Walk on the Christmas Side<\/a><\/td>\nTake a Walk on the Christmas Side<\/a><\/td>\n<\/tr>\n
Eno<\/td>\nfrom Discreet Music, prima variazione sul Canone di Pachelbel<\/a><\/td>\nMusica Discreta<\/a>
\n
\n<\/a><\/td>\n<\/tr>\n
Third Ear Band (1970)<\/td>\nWater<\/a><\/td>\nPop (?) music that I loved (4)<\/a><\/td>\n<\/tr>\n
George Crumb<\/td>\nVox Balenae<\/a> (1971) per flauto, violoncello e piano, tutti amplificati<\/td>\nVox Balenae<\/a><\/td>\n<\/tr>\n
Fran\u00e7ois Bayle<\/td>\nGrande Polyphonie<\/a> (1974) excerpt<\/td>\nGrande Polyphonie<\/a><\/td>\n<\/tr>\n
Sinead O\u2019Connor<\/td>\nThis Is A Rebel Song<\/a><\/td>\nUna delle canzoni pi\u00f9 romantiche\u2026<\/a><\/td>\n<\/tr>\n
Athletic Automaton<\/td>\nAfrican Autobahn<\/a><\/td>\nAfrican Autobahn<\/a><\/td>\n<\/tr>\n
Olivier Messiaen<\/td>\nQuartet for the End of Time<\/a> (1941)<\/td>\nPer la fine dei tempi<\/a><\/td>\n<\/tr>\n
The Beatles<\/td>\nTomorrow Never Knows<\/a> (1966)<\/td>\nTomorrow Never Knows<\/a><\/td>\n<\/tr>\n
De La Soul<\/td>\nTransmitting live from Mars\u201d<\/a> (excerpt)<\/td>\nIllegal Art<\/a><\/td>\n<\/tr>\n
Luciano Berio<\/td>\nSix Encores for piano:
\nWasserklavier<\/a> (1966)
\nErdenklavier<\/a> (1969)
\nLuftklavier<\/a> (1985)
\nFeuerklavier<\/a> (1989)
\nBrin<\/a> (1990)
\nLeaf<\/a> (1990)<\/td>\n		Berio: Six Encores for piano<\/a><\/td>\n<\/tr>\n
Deportee: various versions<\/td>\nArlo Guthrie<\/a>
\nJohnny Cash, Kris Kristofferson, Waylon Jennings, Willie Nelson<\/a> (scusate l\u2019interruzione brutale: file danneggiato)
\nByrds<\/a>
\nNancy Griffith & Lucinda Williams<\/a>
\nBilly Bragg<\/a>
\nBoss<\/a>
\nDylan & Baez<\/a><\/td>\n		Pop (?) music that I loved (3)<\/a><\/td>\n<\/tr>\n
Mauro Graziani<\/td>\nSangre y Arena<\/a> (1970)<\/td>\nQuelle strane riunioni di famiglia<\/a><\/td>\n<\/tr>\n
Tristan Murail<\/td>\nTreize couleurs du soleil couchant<\/a> (1978) per violino, violoncello, flauto, clarinetto, pianoforte e live electronics<\/td>\n13 colori del sole al tramonto<\/a><\/td>\n<\/tr>\n
Ilhan Mimaroglu<\/td>\nPrelude for magnetic tape XI<\/a><\/td>\nIlhan Mimaroglu<\/a><\/td>\n<\/tr>\n
Henry Cow<\/td>\nNine Funerals of the Citizen King<\/a><\/td>\nHenry Cow, again<\/a><\/td>\n<\/tr>\n
Sofia Gubaidulina<\/td>\nQuasi Hoquetus<\/a> (1984) for bassoon, viola and piano<\/td>\nGratta un russo e ci troverai un tartaro<\/a><\/td>\n<\/tr>\n
Peter Gabriel<\/td>\nGames without frontiers<\/a> (Massive Attack remix)<\/td>\nGames without frontiers<\/a><\/td>\n<\/tr>\n
Giacinto Scelsi<\/td>\nKo-Lho, for flute & clarinet Bb (1966)
\nmov.1<\/a>
\nmov.2<\/a><\/td>\n		Ko-Lho<\/a><\/td>\n<\/tr>\n
Kaija Saariaho<\/td>\nLichtbogen<\/a>
\n(1985\u20131986) – flute, percussion, harp, piano, 2 violins, viola, cello, double bass and live electronics<\/td>\n		Archi di Luce<\/a><\/td>\n<\/tr>\n
Giacinto Scelsi<\/td>\nil primo<\/a> e il secondo<\/a> dei Quattro Pezzi su una nota sola per orchestra da camera
\n(1959)<\/td>\n		Scelsi<\/a><\/td>\n<\/tr>\n
Thomas Tallis<\/td>\nSpem in Alium<\/a><\/td>\nOltre il loro Tempo (2): Spem in Alium<\/a><\/td>\n<\/tr>\n
Bruno Maderna<\/td>\nContinuo<\/a><\/td>\nMaderna Elettronico<\/a><\/td>\n<\/tr>\n
John Cage<\/td>\nfrom Sonatas & Interludes for prepared piano, Sonata I<\/a><\/td>\nPianoforte Preparato<\/a><\/td>\n<\/tr>\n
Matching Mole<\/td>\nSigned Curtain<\/a><\/td>\nPop (?) music that I loved (2)<\/a><\/td>\n<\/tr>\n
Bruno Maderna<\/td>\nSerenata 2a<\/a><\/td>\nMaderna<\/a><\/td>\n<\/tr>\n
Sch\u00f6nberg<\/td>\nfrom Pierrot Lunaire op. 21 (1912), Der Mondfleck<\/a><\/td>\nPierrot<\/a><\/td>\n<\/tr>\n
Sch\u00f6nberg<\/td>\nfrom 6 Kleine Klavierst\u00fccke op. 19 (1911), Klav. 6<\/a><\/td>\nPiccoli ma grandi<\/a><\/td>\n<\/tr>\n
Dubliners<\/td>\nWill You Come to the Bower<\/a><\/td>\nDubliners<\/a><\/td>\n<\/tr>\n
Webern<\/td>\nultimo dei Tre Piccoli Pezzi per violoncello e piano<\/a><\/td>\nDecomporre<\/a><\/td>\n<\/tr>\n
Henry Cow<\/td>\nfrom In Praise of Learning (1975)
\nBeautiful as the Moon,\u00a0 Terrible as an Army with Banners<\/a>
\nLiving in the Heart of the Beast<\/a><\/td>\n		 <\/a>
\nPop (?) music that I loved (1)<\/a><\/td>\n<\/tr>\n
Earl Brown<\/td>\nMusic for Cello and Piano<\/a> (1955)<\/td>\nEarl Brown su ANABlog<\/a><\/td>\n<\/tr>\n
Dowland Project<\/td>\nCome Again<\/a>
\nLachrimae Verae<\/a><\/td>\n		Semper Dowland<\/a><\/td>\n<\/tr>\n
Stockhausen<\/td>\nStimmung<\/a> (1968) excerpt<\/td>\nStockhausen: Stimmung<\/a><\/td>\n<\/tr>\n
Satie<\/td>\nVexations<\/a> (excerpt)<\/td>\nVexations<\/a><\/td>\n<\/tr>\n
Leo Ornstein<\/td>\nSuicide in Airplane<\/a> (1918)<\/td>\nLeo Ornstein<\/a><\/td>\n<\/tr>\n
GW.Bush<\/td>\nImagine<\/a> (Radio bagdad miX)<\/td>\nDissCovers Radio Bagdad<\/a><\/td>\n<\/tr>\n
Jaap Vink<\/td>\nScreen<\/a><\/td>\nElettronica anni \u201850\/\u201960<\/a><\/td>\n<\/tr>\n
Harry Partch<\/td>\nDelusion of the Fury – A Ritual of Dream and Delusion (1965-66), excerpts<\/a><\/td>\nGli strumenti di Harry Partch<\/a><\/td>\n<\/tr>\n
Arnold Schoenberg<\/td>\nfrom 5 pezzi per orchestra op. 16 (1909), Farben<\/a><\/td>\nOltre il loro tempo: Farben<\/a><\/td>\n<\/tr>\n
Debussy<\/td>\nPrelude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune<\/a> (trascrizione di Ravel per pianoforte a 4 mani)<\/td>\nMusikethos<\/a><\/td>\n<\/tr>\n
Dub Side of the Moon<\/td>\nThe Great Dub (Gig) in the Sky<\/a>
\nTime<\/a><\/td>\n		Abominio!<\/a><\/td>\n<\/tr>\n
Elvio Cipollone<\/td>\nSENZA RESPIRO<\/a> per flauto in sol e clarinetto in sib
\nSOIRS<\/a> per flauto, clarinetto, pianoforte, violino e violoncello<\/td>\n		Elvio Cipollone<\/a><\/td>\n<\/tr>\n
Sting-Dowland<\/td>\nHave You Seen the Bright Lily Grow<\/a>
\nCan She Excuse My Wrongs<\/a><\/td>\n		Dowland by Sting<\/a><\/td>\n<\/tr>\n
Cornelius Cardew<\/td>\nWe Sing For The Future!<\/a>, Frederic Rzewski piano<\/td>\nFrederic Rzewski<\/a><\/td>\n<\/tr>\n
Daniel Palomo Vinuesa + collectif Serendipity<\/td>\nJ.U.M.M.A.P<\/a>
\nen attente<\/a><\/td>\n		Le Projet flou<\/a><\/td>\n<\/tr>\n
Jeffery Cotton<\/td>\nLa Folia di Spagna<\/a><\/td>\nJeffery Cotton<\/a><\/td>\n<\/tr>\n
Chopin<\/td>\nfrom op. 28. Preludio in Re bemolle maggiore<\/a> (raindrops)<\/td>\nMP3 gratuiti (e legali) dalla Piano Society<\/a><\/td>\n<\/tr>\n
Debussy<\/td>\nfrom Images, Reflets dans l\u2019eau<\/a><\/td>\nMP3 gratuiti (e legali) dalla Piano Society<\/a><\/td>\n<\/tr>\n
Steve Reich<\/td>\nMusic for 18 Musicians<\/a> (1974-76) (excerpt)<\/td>\nSteve Reich 70<\/a><\/td>\n<\/tr>\n
Tom Waits<\/td>\nBottom of the World<\/a><\/td>\nOrphans<\/a><\/td>\n<\/tr>\n
Rob Smith<\/td>\nSchroeder\u2019s Revenge<\/a> for toy piano<\/td>\nPiano Giocattolo<\/a><\/td>\n<\/tr>\n
Gerard Grisey<\/td>\nPartiels<\/a> (1975) per 16\/18 strumenti<\/td>\nGerard Grisey – Partiels<\/a><\/td>\n<\/tr>\n
Odd Appetite<\/td>\nHa-Yang Kim – Oon<\/a>
\nLike Spinning Plate<\/a> (Radiohead cover)<\/td>\n		Odd Appetite<\/a>
\n <\/a><\/td>\n<\/tr>\n
Kaija Saariaho<\/td>\nfrom Six Japanese Gardens (1992) per percussioni e elettronica, III\u00b0 movimento<\/a>
\nfrom Pr\u00e8s (1992) per violoncello e elettronica, I\u00b0 movimento<\/a><\/td>\n		Kaija Saariaho<\/a><\/td>\n<\/tr>\n
WARPS<\/td>\nExcerpt 1<\/a>
\nExcerpt 2<\/a><\/td>\n		World Association for Ruined Piano Studies<\/a><\/td>\n<\/tr>\n
Tangerine Dream<\/td>\nfrom Zeit (1972), Birth Of Liquid Plejades<\/a><\/td>\nCosa \u00e8 successo?<\/a><\/td>\n<\/tr>\n
John Cage<\/td>\nfrom Sonatas & Interludes for prepared piano, excerpts<\/a><\/td>\nHappy Birthday John Cage (5\/9\/1912 – 12\/8\/1992)<\/a><\/td>\n<\/tr>\n
Tion (Jean-S\u00e9bastien Roux)<\/td>\nmay we be us?<\/a>
\nin the shadow of unexpectation<\/a>
\nfarewell<\/a><\/td>\n		from elsewhere to nowhere<\/a><\/td>\n<\/tr>\n
Steve Layton<\/td>\nWhat the Thunder Said<\/a> (2006) flute, piano, vibraphone, strings\/electronics<\/td>\nWhat the Thunder Said<\/a><\/td>\n<\/tr>\n
Etna<\/td>\nEruption Music<\/a><\/td>\nEruption Music 2<\/a><\/td>\n<\/tr>\n
Dmitrij \u0160ostakovi\u010d<\/td>\nfrom 4 Preludi e Fughe, op. 87, Num.1 in Do maggiore<\/a><\/td>\n100 anni di \u0160ostakovi\u010d<\/a><\/td>\n<\/tr>\n
Cardew<\/td>\nTreatise pagg. 23 26<\/a>, Seattle Improv Meeting<\/td>\nSeattle Improv Meeting<\/a><\/td>\n<\/tr>\n
Mauro Graziani<\/td>\nMorning Grill<\/a> (1980),\u00a0 for piano and delay, excerpt<\/td>\nSospeso in una bolla immobile<\/a><\/td>\n<\/tr>\n
Gordon Mumma<\/td>\nMedium Size Mograph<\/a> (1963) per pianoforte a 4 mani e elaborazione
\nelettronica<\/td>\n		Eruption Music<\/a><\/td>\n<\/tr>\n
Morton Feldman<\/td>\nThe King of Denmark<\/a> (1964), Max Neuhaus<\/td>\nUBU Web<\/a><\/td>\n<\/tr>\n
Cornelius Cardew<\/td>\nTreatise<\/a> (1963-67) excerpt<\/td>\nUBU Web<\/a><\/td>\n<\/tr>\n
Hubback<\/td>\nTouching The Azan<\/a>
\nAs The Snow Falls<\/a>
\nNine Lamps<\/a><\/td>\n		Steve Hubback<\/a><\/td>\n<\/tr>\n
Syd Barret (& Pink Floyd)<\/td>\nArnold Layne<\/a>
\nThe Gnome<\/a>
\nGolden Hair<\/a><\/td>\n		Syd Barrett<\/a><\/td>\n<\/tr>\n
Andrey Kiritchenko<\/td>\nfrom Solaris, Eternity<\/a>, excerpt<\/td>\n.microsound<\/a><\/td>\n<\/tr>\n
David Lee Myers<\/td>\nfrom Engines of Myth (1988), Excerpt<\/a>
\nfrom Dyed Smear Live\u201d (2001), Excerpt<\/a><\/td>\n		Musica senza input<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
\n<\/div>","protected":false},"excerpt":{"rendered":"

Ecco l’indice di tutti i brani musicali pubblicati su MG Blog nel 2006. Da qui potete cliccare sul titolo e ascoltare direttamente l’audio oppure cliccare sul post e andarci. Mancano i video, per ora. Tenete conto che non tutti i … Continua a leggere→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-375","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/pages\/375"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=375"}],"version-history":[{"count":0,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/pages\/375\/revisions"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}