{"id":1117,"date":"2008-07-19T00:01:25","date_gmt":"2008-07-18T22:01:25","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=1117"},"modified":"2025-08-22T18:11:44","modified_gmt":"2025-08-22T16:11:44","slug":"after-the-summer-rain","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/1117","title":{"rendered":"After the Summer Rain"},"content":{"rendered":"

L’esplorazione estiva di Art of the States<\/a> continua con questo brano per pianoforte amplificato e parte elettronica che ha alcuni momenti decisamente deliziosi, anche se a tratti si perde in qualche estetismo, ma nel complesso l’insieme mi sembra buono.<\/p>\n

L’autore \u00e8 Hideko Kawamoto<\/a>, nata in Giappone nel 1969 e cresciuta musicalmente negli USA dove risiede.<\/p>\n

Note di programma:<\/p>\n

After the Summer Rain<\/strong> for amplified piano and two-channel tape, dedicated to the memory of Clarence Asher Peevey (17 July 2000 – 28 July 2000), was inspired by Rainer Maria Rilke’s poems ‘(Nos Pleurs)’ and ‘Before the Summer Rain’ (1906).<\/p>\n

The visual images of a summer forest, including rain pouring onto trees, shiny silver spider webs, and dark wet ground … were transferred into sounds using piano as the basic sound source for creation of the tape part … The piano part represents a person who has been inside the wet forest after experiencing the heavy summer rain. The tape part represents the natural phenomenon of the summer forest.<\/p>\n

This piece is Part II of Summer Rain<\/strong>, composed immediately after Part I, Summer Rain – Dawn<\/strong> (2000) for two-channel tape.”<\/p>\n

[Hideko Kawamoto]<\/p><\/blockquote>\n

Hideko Kawamoto – After the Summer Rain<\/a> (2000), for amplified piano and two-channel tape
\nCorey Jane Holt, piano<\/p>\n

\n<\/div>","protected":false},"excerpt":{"rendered":"

L’esplorazione estiva di Art of the States continua con questo brano per pianoforte amplificato e parte elettronica che ha alcuni momenti decisamente deliziosi, anche se a tratti si perde in qualche estetismo, ma nel complesso l’insieme mi sembra buono. L’autore … Continua a leggere→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[209],"tags":[993],"class_list":["post-1117","post","type-post","status-publish","format-standard","hentry","category-elettroacustica-mus","tag-japan"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1117"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1117\/revisions"}],"predecessor-version":[{"id":18109,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1117\/revisions\/18109"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}