{"id":1207,"date":"2008-09-09T00:01:14","date_gmt":"2008-09-08T22:01:14","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=1207"},"modified":"2025-08-22T18:13:59","modified_gmt":"2025-08-22T16:13:59","slug":"miya-masaoka","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/1207","title":{"rendered":"Miya Masaoka"},"content":{"rendered":"<p><a href=\"https:\/\/maurograziani.org\/wordpress\/wp-content\/masaoka_koto_laser_little.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1208\" style=\"margin: 10px 20px; float: right;\" title=\"masaoka_koto_laser_little\" src=\"https:\/\/maurograziani.org\/wordpress\/wp-content\/masaoka_koto_laser_little.jpg\" alt=\"masaoka laser koto\" width=\"300\" height=\"302\" \/><\/a><a href=\"https:\/\/www.miyamasaoka.com\" target=\"_blank\" rel=\"noopener\">Miya Masaoka<\/a> presenta se stessa come<\/p>\n<p style=\"text-align: justify;\"><em>musician, composer, sound artist &#8211; has created works for koto and electronics, Laser Koto, field recordings, laptop, video and written scores for ensembles, chamber orchestras and mixed choirs. In her pieces she has investigated the sound and movement of insects, as well as the physiological response of plants, the human brain and her own body. Within these varied contexts her performance work investigates the interactive, collaborative aspects of sound, improvisation, nature and society.<\/em><\/p>\n<p style=\"text-align: justify;\">In effetti \u00e8 attiva in molti campi cha vanno dalla musica per koto (anche elettrificato e in versione laser), alla musica per ensembles, al field recording e alla sperimentazione con piante e onde cerebrali, come potete vedere guardando <a href=\"https:\/\/vimeo.com\/miyamasaoka\" target=\"_blank\" rel=\"noopener\">i suoi video<\/a>.<\/p>\n<p style=\"text-align: justify;\">Qui vi presentiamo un estratto da <em>For Birds, Planes &amp; Cello<\/em>. Come dice il titolo, si tratta di una composizione che utilizza una serie di field recording di aerei e uccelli. I due strati sonori sono mediati dal violoncello che agisce come elemento unificante. In questo estratto di 5 minuti (l&#8217;unico liberamente disponibile: il CD \u00e8 distribuito dalla sua etichetta <a href=\"http:\/\/www.miyamasaoka.com\/solitaryb\/\" target=\"_blank\" rel=\"noopener\">SolitaryB<\/a>), l&#8217;azione del violoncello \u00e8 limitata a lunghi suoni, pi\u00f9 o meno armonici che si pongono come trait d&#8217;union fra le due registrazioni.<\/p>\n<ul>\n<li>Miya Masaoka &#8211; <a href=\"http:\/\/www.miyamasaoka.com\/solitaryb\/audio\/ForBirdsPlanesandCello.mp3\" target=\"_blank\" rel=\"noopener\">For Birds, Planes &amp; Cello<\/a><br \/>\nJoan Jeanrenaud, cello.<\/li>\n<\/ul>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Miya Masaoka presenta se stessa come musician, composer, sound artist &#8211; has created works for koto and electronics, Laser Koto, field recordings, laptop, video and written scores for ensembles, chamber orchestras and mixed choirs. In her pieces she has investigated &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1207\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[209,9],"tags":[877],"class_list":["post-1207","post","type-post","status-publish","format-standard","hentry","category-elettroacustica-mus","category-multimedia","tag-computer_music"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1207"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1207"}],"version-history":[{"count":3,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1207\/revisions"}],"predecessor-version":[{"id":19394,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1207\/revisions\/19394"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}