{"id":1233,"date":"2008-09-27T01:40:03","date_gmt":"2008-09-26T23:40:03","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=1233"},"modified":"2025-08-22T18:13:59","modified_gmt":"2025-08-22T16:13:59","slug":"moria","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/1233","title":{"rendered":"Mor\u00eca?"},"content":{"rendered":"<p style=\"text-align: justify;\">Prendetela con le pinze, ma da circa un&#8217;ora (\u00e8 l&#8217;1:30 del 27\/09) sta girando una notizia secondo la quale <a href=\"http:\/\/en.wikipedia.org\/wiki\/Hora%C5%A3iu_R%C4%83dulescu\" target=\"_blank\" rel=\"noopener\">Horatiu Radulescu<\/a>, compositore rumeno, noto per i suoi lavori caratterizzati da una ricerca spettrale molto spinta e coraggiosamente priva di compromessi, sia deceduto, a soli 66 anni, a Parigi, dove aveva vissuto a lungo.<\/p>\n<p><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/tag\/radulescu\" target=\"_blank\" rel=\"noopener\">Ne abbiamo parlato spesso<\/a> qui su MGBlog.<\/p>\n<hr \/>\n<p><strong><span style=\"text-decoration: underline;\">Update 2:00<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\">La notizia sembra confermata; se ne parla su NetNewMusic. Tristemente, il 90% degli spettralisti \u00e8 scomparso prima che il 10% del mondo si sia accorto della loro esistenza.<\/p>\n<ul>\n<li>Hora\u0163iu R\u0103dulescu &#8211; Capricorn&#8217;s Nostalgic Crickets, opus 16 no 2 (1980), per 7 flauti.<\/li>\n<\/ul>\n<p>Note di programma in inglese:<\/p>\n<p style=\"text-align: justify;\">7 flutes move along a &#8220;square well&#8221; of 96 sounds &#8211; an &#8220;infinite melody&#8221;, closed circle of &#8220;inharmonic&#8221; quarter-tones. Each of the 7 has a different start point: a canon which had already began since the sound-sources play continuously.<\/p>\n<p style=\"text-align: justify;\">Each sound lasting ca 9 seconds (subjective time) is irregularly placed within a period of 11 second-long (objective time). Imagine a sphere with equidistant 96 meridians\/feints through which irrupt 96 micro-music events. Due to their various consistency that implacable periodicity (the 11 second-pulse) will become imperceptible.<\/p>\n<p style=\"text-align: justify;\">Four types of sound-production technique (&#8220;timbre-being&#8221;) activate the micro-spectrality of each sound:<\/p>\n<ol>\n<li>yellow tremolo (&#8220;morse&#8221; signals of different fingerings on a unique pitch)<\/li>\n<li>stable multiphonics<\/li>\n<li>unstable multiphonics, &#8220;overblowing producing &#8220;spectral thermometers&#8221;, multiphonics variably explicitated<\/li>\n<li>simultaneously singing and instrumental sound with flattertongue<\/li>\n<\/ol>\n<p style=\"text-align: justify;\">The statistical reading of these 4 types of &#8220;timbre-being&#8221; creates a &#8220;directional random&#8221; evolving toward several &#8220;accidents of purity&#8221; (the 20th eruption : 6 yellow tremoli and l overblowing the 43rd eruption : no multiphonic (unique case) the 87th eruption : 6 sung flattertonguings and 1 yellow tremolo) and inscribing itself into a fusiformali macro-register trajectory. This resembles a natural phenomenon where the cause (sound &#8211; sources) and the effect (sound parameters) become very often undetectable, a &#8220;drunk organ&#8221; simulated by the seven flutes.<\/p>\n<p><iframe loading=\"lazy\" title=\"Hora\u021biu R\u0103dulescu ~ Capricorn&#039;s Nostalgic Crickets II\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/D1QtjSYY0kE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Prendetela con le pinze, ma da circa un&#8217;ora (\u00e8 l&#8217;1:30 del 27\/09) sta girando una notizia secondo la quale Horatiu Radulescu, compositore rumeno, noto per i suoi lavori caratterizzati da una ricerca spettrale molto spinta e coraggiosamente priva di compromessi, &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1233\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[210],"tags":[656,783,956],"class_list":["post-1233","post","type-post","status-publish","format-standard","hentry","category-strumentale-mus","tag-spettralismo","tag-radulescu","tag-rip"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1233"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1233"}],"version-history":[{"count":2,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1233\/revisions"}],"predecessor-version":[{"id":18052,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1233\/revisions\/18052"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}