{"id":124,"date":"2006-09-16T01:50:37","date_gmt":"2006-09-15T23:50:37","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/archives\/124"},"modified":"2025-08-22T18:13:32","modified_gmt":"2025-08-22T16:13:32","slug":"kaija-saariaho","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/124","title":{"rendered":"Kaija Saariaho"},"content":{"rendered":"<p>Here you can listen to<br \/>\nSix Japanese Gardens (1992), percussions and electronics<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Six Japanese Gardens is a collection of impressions of the gardens I saw in Kyoto. Each of the six parts gives a specific look at a rhythmic material, including complex polyrhythmic or ostinato figures and purely coloristic materials. The percussion is extended with the electronic part, in which we hear nature\u2019s sounds, ritual singing, and other instruments.<br \/>\nfrom a note by Kaija Saariaho<\/p>\n<\/blockquote>\n<p>Shane Jones percussions<\/p>\n<p><iframe loading=\"lazy\" title=\"Six Japanese Gardens - Kaija Saariaho\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/x7t-n3EDqpM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Pr\u00e8s (1992) for cello and electronics<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">Pr\u00e8s for cello and electronics is in three movements. The electronic element (synthetic sounds, modified pre-recorded cello, and live sound processing) expands the musical gestures of the cello in many different directions. The title of the work links it to Gauguin\u2019s painting By the Sea; and hence to the experience of the sea itself and waves, their rhythms and sounds, stormy weather and calms.<br \/>\nfrom a note by Kaija Saariaho<\/p>\n<\/blockquote>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\"><span class=\"yt-core-attributed-string--link-inherit-color\">Anssi Karttunen, cello, Carlo Barbagallo, electronics<br \/>\n<\/span><\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"Kaija Saariaho: Pr\u00e8s (1991), for cello and electronics\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/I2-4vjX_QRg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Site: <a href=\"http:\/\/www.saariaho.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kaija Saariaho<\/a><\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Here you can listen to Six Japanese Gardens (1992), percussions and electronics Six Japanese Gardens is a collection of impressions of the gardens I saw in Kyoto. Each of the six parts gives a specific look at a rhythmic material, &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/124\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[209],"tags":[680],"class_list":["post-124","post","type-post","status-publish","format-standard","hentry","category-elettroacustica-mus","tag-saariaho"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/124"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=124"}],"version-history":[{"count":3,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/124\/revisions"}],"predecessor-version":[{"id":18887,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/124\/revisions\/18887"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}