{"id":1490,"date":"2009-03-14T00:01:41","date_gmt":"2009-03-13T23:01:41","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=1490"},"modified":"2025-08-22T18:13:59","modified_gmt":"2025-08-22T16:13:59","slug":"music-for-airports-reloaded","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/1490","title":{"rendered":"Music for Airports reloaded"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" style=\"margin: 5px 20px; float: right;\" src=\"http:\/\/1.bp.blogspot.com\/_XXGwbPHH8zs\/SN0NR_XykMI\/AAAAAAAAAOc\/UVCEYmoxHI4\/s400\/eno.jpg\" alt=\"cover\" width=\"298\" height=\"299\" \/>Brian Eno&#8217;s <span class=\"Apple-style-span\" style=\"font-style: italic;\">Music for Airports<\/span> (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as a subliminal background creating a soundscape for various places or buildings. Supermarkets and elevators are usually places where a poor music is played, one calls it <span class=\"Apple-style-span\" style=\"font-style: italic;\">muzak<\/span>. Brian Eno&#8217;s idea was to conceive a sophisticated musical soundscape instead of this anonymous FM music, and he chose airports as the best places where such a music could be heard and understood, creating an unusual and quiet sonic background among all the noises and announcements of a airport terminal.<\/p>\n<p style=\"text-align: justify;\"><span class=\"Apple-style-span\" style=\"font-style: italic;\">Music for Airports<\/span> is a masterpiece, with its subtle piano tracks, its complex electronic treatments, its choral parts, and its slow and organic development.<\/p>\n<p style=\"text-align: justify;\">In 1998, Point Music, a label directed by Philip Glass, released this amazing interpretation of <span class=\"Apple-style-span\" style=\"font-style: italic;\">Music for Airports<\/span> by Bang on a Can: Robert Black (bass), Lisa Moore (piano, keyboards), Evan Ziporyn (clarinet, bass clarinet), Maya Beiser (cello), Steven Schick (percussion), a choir of female voices and additional musicians playing pipa, flute, horn, trumpet, trombone, violin, cello, mandolin and mandocello.<\/p>\n<p style=\"text-align: justify;\">This chamber music ensemble plays Eno&#8217;s compositions with fidelity and creativity at the same times. The acoustic instruments create a rich harmonic soundscape and add a very original touch to the original recording.<\/p>\n<p style=\"text-align: justify;\">This peaceful, quiet and slow music is very evocative and poetic: the cover version is as beautiful as the original&#8230;<\/p>\n<p>Excerpt from Brian Eno &#8211; <a href=\"https:\/\/maurograziani.org\/wordpress\/wp-content\/boac_airport.mp3\">Music for Airports 1.1 &#8211; played by Bang on a Can<\/a><\/p>\n<p>Via <a href=\"http:\/\/justanothergarden.blogspot.com\/2008\/09\/bang-on-can-music-for-airports-brian.html\" target=\"_blank\" rel=\"noopener\">Just Another Garden<\/a><\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Brian Eno&#8217;s Music for Airports (1978) played a very important part in the concept and development of ambient music. One could say that ambient music is not a music to be listened to, but a music to be heard, as &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1490\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[701],"tags":[599,693,851],"class_list":["post-1490","post","type-post","status-publish","format-standard","hentry","category-confine","tag-ambient","tag-eno","tag-bang_on_a_can"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1490"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1490"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1490\/revisions"}],"predecessor-version":[{"id":17913,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1490\/revisions\/17913"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}