{"id":1575,"date":"2009-05-11T15:29:25","date_gmt":"2009-05-11T13:29:25","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=1575"},"modified":"2025-08-22T18:13:31","modified_gmt":"2025-08-22T16:13:31","slug":"il-ricordo-del-tempo","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/1575","title":{"rendered":"Il ricordo del tempo"},"content":{"rendered":"<p style=\"text-align: justify;\">La seconda parte di <em>Echoes of Time and the River (Echoes II)<\/em>, di George Crumb. Anche questa &#8220;ripulita&#8221; dalle impurit\u00e0 del vecchio vinile.<\/p>\n<blockquote>\n<p style=\"text-align: justify;\">The second movement, <em>Remembrance of Time<\/em>, begins with the most distant and delicate sounds imaginable (piano, percussion, harp), echoed by a phrase from Garc\u00eda Lorca (&#8220;the broken arches where time suffers&#8221;). Fragments of joyful music erupt from various wind and brass players on stage and off, and the commotion eventually gives way to a kind of Ivesian reminiscence, evoked by serene string harmonics: &#8220;Were You There When They Crucified the Lord?&#8221;<\/p>\n<\/blockquote>\n<p>George Crumb &#8211; from Echoes of Time and the River, <a href=\"https:\/\/maurograziani.org\/wordpress\/wp-content\/rt.mp3\" target=\"_blank\" rel=\"noopener\">Remembrance of Time<\/a><\/p>\n<div class=\"related-posts\">\n<div id=\"related-posts-MRP_all\" class=\"related-posts-type\">\n<h3>RELATED:<\/h3>\n<ul>\n<li><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/5273\">George Crumb: Zeitgeist, tableaux vivants for two amplified pianos<\/a><\/li>\n<li><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1077\">George Crumb Intervista<\/a><\/li>\n<\/ul><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>La seconda parte di Echoes of Time and the River (Echoes II), di George Crumb. Anche questa &#8220;ripulita&#8221; dalle impurit\u00e0 del vecchio vinile. The second movement, Remembrance of Time, begins with the most distant and delicate sounds imaginable (piano, percussion, &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1575\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[210],"tags":[627],"class_list":["post-1575","post","type-post","status-publish","format-standard","hentry","category-strumentale-mus","tag-crumb"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1575"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=1575"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1575\/revisions"}],"predecessor-version":[{"id":17869,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/1575\/revisions\/17869"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=1575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=1575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=1575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}