{"id":168,"date":"2006-10-08T01:54:49","date_gmt":"2006-10-07T23:54:49","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/archives\/168"},"modified":"2025-08-22T18:14:35","modified_gmt":"2025-08-22T16:14:35","slug":"pianoteq","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/168","title":{"rendered":"Pianoteq"},"content":{"rendered":"<p>Sempre la Piano Society (vedi post seguente) distribuisce anche <a href=\"http:\/\/pianoteq.com\/\">Pianoteq<\/a>, un software di simulazione del pianoforte basato su modelli fisici, particolarmente potente, versatile. Costa \u20ac 249, in linea con &#8220;Steinberg The Grand&#8221;, ma pu\u00f2 essere scaricato e provato per 45 giorni. Questa \u00e8 <a href=\"http:\/\/pianoteq.com\/audiodemos\">una pagina piena di demo<\/a>.<br \/>\nVi consiglio di provarlo. I modelli fisici danno ottimi risultati, senza quei salti di sonorit\u00e0 tipici del campionamento. Ecco le caratteristiche tecniche tratte da <a href=\"http:\/\/pianoteq.com\/pianoteq_details.php\">questa pagina<\/a>.<br \/>\n<small><\/p>\n<ul>\n<li>The piano sound is constructed in real time, responding to how the pianist strikes the keys and interacts with the pedals.<\/li>\n<li>It includes the entire complexity of a real piano (hammers, strings, duplex scale, pedals, cabinet).<\/li>\n<li>No quantization noise (32-bit internal sampling at 192 KHz).<\/li>\n<li>Real progressive variation of the timbre (127 velocities per note).<\/li>\n<li>Adjustable hammer hardness (voicing) and other similar parameters.<\/li>\n<li>Adjustable unison width (tuning) and other similar parameters.<\/li>\n<li>Adjustable piano size (soundboard) and other similar parameters.<\/li>\n<li>Adjustable spectrum profile, based on the first 8 overtones.<\/li>\n<li>Progressive sustain pedal, allowing partial-pedal effects.<\/li>\n<li>Sostenuto pedal, harmonic pedal and Una Corda (soft) pedal.<\/li>\n<li>Very fast to install and initialize.<\/li>\n<li>Total size is just 8 MB (MegaBytes).<\/li>\n<li>It can be used successfully with a laptop (low hardware requirements).<\/li>\n<li>Adjustable optional samples of acoustic noises (pedal and key release).<\/li>\n<li>Built-in graphic equalizer with freely adjustable key points.<\/li>\n<li>Built-in graphic velocity curve with keyboard presets.<\/li>\n<li>Built-in reverb unit with presets.<\/li>\n<\/ul>\n<p><\/small><\/p>\n<p>Fra i demo, vi faccio ascoltare questi (ma, valutandoli, pensate anche a che casse avete):<\/p>\n<ul>\n<li><a href=\"http:\/\/pianoteq.com\/audio\/liszt-liebestraum.mp3\">Nocturne No. 3 Liebestraum<\/a> (F. Liszt)\n<\/li>\n<li><a href=\"http:\/\/pianoteq.com\/audio\/debussy-lafille.mp3\">La Fille aux Cheveux de Lin<\/a> (C. Debussy)\n<\/li>\n<li><a href=\"http:\/\/pianoteq.com\/audio\/black-1.mp3\">Improvvisazione demo<\/a>\n<\/li>\n<\/ul>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Sempre la Piano Society (vedi post seguente) distribuisce anche Pianoteq, un software di simulazione del pianoforte basato su modelli fisici, particolarmente potente, versatile. Costa \u20ac 249, in linea con &#8220;Steinberg The Grand&#8221;, ma pu\u00f2 essere scaricato e provato per 45 &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/168\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[29,22,6],"tags":[],"class_list":["post-168","post","type-post","status-publish","format-standard","hentry","category-mus","category-audio","category-informatica"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/168"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=168"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/168\/revisions"}],"predecessor-version":[{"id":5571,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/168\/revisions\/5571"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}