{"id":2026,"date":"2010-05-09T21:32:12","date_gmt":"2010-05-09T19:32:12","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=2026"},"modified":"2025-08-22T18:13:59","modified_gmt":"2025-08-22T16:13:59","slug":"morning-scent-of-the-acacias-song","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/2026","title":{"rendered":"Morning scent of the acacia&#8217;s song"},"content":{"rendered":"<p><a href=\"http:\/\/sharafyan.tripod.com\/\" target=\"_blank\" rel=\"noopener\">Vache Sharafyan<\/a>: <em>Morning scent of the acacia&#8217;s song<\/em> for duduk &amp; string quartet (2001), commissioned by <a href=\"http:\/\/www.silkroadproject.org\/\" target=\"_blank\" rel=\"noopener\">Yo-Yo Ma&#8217;s Silk Road Project<\/a> Inc. publisher G. SCHIRMER\/ (excerpt)<br \/>\nperformers: Gevorg Dabaghyan, Shirly Laub, Colin Jacobsen, Daniel Heim, Jeroen den Herder, Brussels philharmonic hall rehearsal &#8211; 2002<\/p>\n<p>The <a href=\"http:\/\/en.wikipedia.org\/wiki\/Duduk\" target=\"_blank\" rel=\"noopener\">duduk<\/a> is a traditional woodwind instrument with double reed, popular in Caucasus. Extension goes from the F# on first space to the A over the staff in treble G clef.<\/p>\n<p><iframe loading=\"lazy\" title=\"Vache Sharafyan &quot;Morning Scent of the Acacia&#039;s Song&quot; for duduk &amp; string quartet; excerpt\" width=\"584\" height=\"438\" src=\"https:\/\/www.youtube.com\/embed\/FRfBizgmzVU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vache Sharafyan: Morning scent of the acacia&#8217;s song for duduk &amp; string quartet (2001), commissioned by Yo-Yo Ma&#8217;s Silk Road Project Inc. publisher G. SCHIRMER\/ (excerpt) performers: Gevorg Dabaghyan, Shirly Laub, Colin Jacobsen, Daniel Heim, Jeroen den Herder, Brussels philharmonic &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/2026\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[210],"tags":[863],"class_list":["post-2026","post","type-post","status-publish","format-standard","hentry","category-strumentale-mus","tag-sharafyan"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2026"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=2026"}],"version-history":[{"count":2,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2026\/revisions"}],"predecessor-version":[{"id":17665,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2026\/revisions\/17665"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=2026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=2026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=2026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}