{"id":2036,"date":"2010-05-18T00:01:30","date_gmt":"2010-05-17T22:01:30","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=2036"},"modified":"2025-08-22T18:12:37","modified_gmt":"2025-08-22T16:12:37","slug":"devotion-2","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/2036","title":{"rendered":"Devotion 2"},"content":{"rendered":"<p>Vache Sharafyan (\u054e\u0561\u0579\u0565 \u0547\u0561\u0580\u0561\u0586\u0575\u0561\u0576): <em>Devotion No. 2<\/em> (1999) for Tar, Kemanche, Dhol, Tam-Tam, Piano and string quartet.<\/p>\n<p><a href=\"http:\/\/en.wikipedia.org\/wiki\/Tar_(lute)\" target=\"_blank\" rel=\"noopener\">Tar<\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Kemanche\" target=\"_blank\" rel=\"noopener\">Kemanche<\/a>, <a href=\"http:\/\/en.wikipedia.org\/wiki\/Dhol\" target=\"_blank\" rel=\"noopener\">Dhol<\/a> are musical instruments adopted by various middle eastern cultures like Iran, Armenia, Azerbaijan, Georgia to the Indian subcontinent. Click the names to read details from wikipedia.<\/p>\n<p><iframe loading=\"lazy\" title=\"Devotion No. 2\" width=\"584\" height=\"438\" src=\"https:\/\/www.youtube.com\/embed\/HLNEs1_l9jk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Vache Sharafyan (\u054e\u0561\u0579\u0565 \u0547\u0561\u0580\u0561\u0586\u0575\u0561\u0576): Devotion No. 2 (1999) for Tar, Kemanche, Dhol, Tam-Tam, Piano and string quartet. Tar, Kemanche, Dhol are musical instruments adopted by various middle eastern cultures like Iran, Armenia, Azerbaijan, Georgia to the Indian subcontinent. Click the &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/2036\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[210,215],"tags":[863],"class_list":["post-2036","post","type-post","status-publish","format-standard","hentry","category-strumentale-mus","category-extra-europea","tag-sharafyan"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2036"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=2036"}],"version-history":[{"count":2,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2036\/revisions"}],"predecessor-version":[{"id":17656,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2036\/revisions\/17656"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=2036"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=2036"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=2036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}