{"id":2108,"date":"2010-07-17T13:51:56","date_gmt":"2010-07-17T11:51:56","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=2108"},"modified":"2025-08-22T18:12:37","modified_gmt":"2025-08-22T16:12:37","slug":"denoising-field-recordings","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/2108","title":{"rendered":"Denoising Field Recordings"},"content":{"rendered":"<p class=\"description\">Interesting idea by Richard Reigner<\/p>\n<blockquote>\n<p class=\"description\">Denoising Field Recordings documents an early  attempt at using denoising-techniques in a creative and compositional  manner. Instead of utilising noise-reduction-algorithms for their  intended purpose (the restoration of damaged audio signals), these  processes are applied to various  field recordings of trains, streets,  swimminghalls and public transport. Due to the fact that these  recordings consist entirely of noises this operation transforms the  originals into an uncanny hybrid of newly introduced processing  artefacts, occasional silence and sporadically audible traces of the  original field recordings. What kind of sound-aesthetics can emerge  while  denoising  field recordings? Which audible parameters are able to  resist this audio-erasement-process? How are these traces comparable  to the visual remanences of Robert Rauschenberg\u2019s erasure of a De  Kooning drawing?<\/p>\n<\/blockquote>\n<p>Denoising Field Recordings is released as a  limited edition of see-through 12&#8243; vinyl with an intruiging  white-on-white cover designed by Hans Renzler. The digital version is  available exlusively at <a href=\"http:\/\/www.zero-inch.com\/artist\/Richard_Eigner\/album\/Denoising_Field_Recordings\/123478\" target=\"_blank\" rel=\"noopener noreferrer\">Zero&#8221;<\/a> (not free &#8211; must register to download).<\/p>\n<p><a href=\"http:\/\/www.wald-entertainment.com\/denoising\/\" target=\"_blank\" rel=\"noopener noreferrer\">Click here<\/a> or <a href=\"http:\/\/www.zero-inch.com\/artist\/Richard_Eigner\/album\/Denoising_Field_Recordings\/123478\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a> to listen to some results of applying noise reduction algorithms to noise.<\/p>\n<div class=\"related-posts\">\n<div id=\"related-posts-MRP_all\" class=\"related-posts-type\">\n<h3>RELATED:<\/h3>\n<ul>\n<li><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/2884\">8 Breaths Of Different Lengths<\/a><\/li>\n<li><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/1786\">Differenza fra originale e MP3 128 kbps<\/a><\/li>\n<\/ul><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Interesting idea by Richard Reigner Denoising Field Recordings documents an early attempt at using denoising-techniques in a creative and compositional manner. Instead of utilising noise-reduction-algorithms for their intended purpose (the restoration of damaged audio signals), these processes are applied to &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/2108\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[22],"tags":[603,846],"class_list":["post-2108","post","type-post","status-publish","format-standard","hentry","category-audio","tag-field_recording","tag-noise"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2108"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=2108"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2108\/revisions"}],"predecessor-version":[{"id":5376,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/2108\/revisions\/5376"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=2108"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=2108"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=2108"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}