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DAC Crowell<\/a> is a 41 composer from Illinois.\nHe hate describing his music, but he say<\/p>\n
\nAs for the sound of my own work, it often employs sounds that change _very_ slowly over time. So there are a lot of drone-type elements, things which appear to repeat, and the like…but the real fact is that there are very slow permutations going on, usually at a rate slower than most listeners’ perceptions. I also like a very ‘immersive’ sound, something which surrounds and envelops the listener. At first, this might seem like I’m trying to do something ‘New Age’, but I don’t think the term applies at all because I often like to add ‘noisy’ elements to my works, or use an overall feel that’s darker than the average fluffy New Age sound.<\/p>\n<\/blockquote>\n
DAC Crowell<\/a> \u00e8 americano. Ha 41 anni e compone dei brani in lenta evoluzione pubblicati dalla netlabel Magnatune<\/a>. Ha studiato.
\nNella sua pagina in Magnatune<\/a> trovate molte informazioni.
\nMi piace la sua dichiarazione di amore per le onde corte. \u00c8 una cosa che da bambino ho provato anch’io: passavo ore a giocare con la radio.<\/p>\n\nYears and years ago, around the same time I was first learning piano as a small child, I also encountered the shortwave radio. It fascinated me…this box of strange sounds, pulsations, voices from other places phasing in and out. And then later in the 1960s, I heard the first stirrings of the Moog synthesizer…and others as well, as I attended a concert given by David Rosenboom while still in the second grade, with him performing his meditative style of electronics on a massive ARP 2500 rig. I suppose it was that formative experience that cemented what I was to try and do in my life.<\/p>\n<\/blockquote>\n
Dall’album omonimo del 2003, Red Shifted Harmonies<\/a>.<\/p>\n