{"id":622,"date":"2007-07-22T00:01:50","date_gmt":"2007-07-21T22:01:50","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/?p=622"},"modified":"2025-08-22T18:13:28","modified_gmt":"2025-08-22T16:13:28","slug":"henry-partch-castor-pollux","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/622","title":{"rendered":"Harry Partch: Castor &#038; Pollux"},"content":{"rendered":"<p style=\"text-align: justify;\">Castor &amp; Pollux (1952) \u00e8 un balletto strutturato in due grandi sezioni, la prima intitolata Castor e la seconda Pollux (i due dioscuri, figli di Zeus e di Leda, identificati con la costellazione dei Gemelli).<br \/>\nLa strumentazione \u00e8 quella tipica dei lavori di Partch, progettata e costruita da lui stesso e accordata sulla scala naturale. Qui abbiamo: kithara, surrogate kithara, harmonic canon, diamond marimba, cloud chamber bowls &amp; bass marimba. Tutti gli strumenti si possono <a href=\"http:\/\/www.maurograziani.org\/wordpress\/archives\/213\">vedere e ascoltare qui<\/a>.<br \/>\nProprio la strumentazione caratterizza le due sezioni. Ognuna di esse, infatti, \u00e8 divisa in quattro parti: tre duetti e un tutti. In entrambe le sezioni, i duetti sono intitolati:<\/p>\n<ol>\n<li>Leda and the Swan (insemination)<\/li>\n<li>Conception<\/li>\n<li>Incubation<\/li>\n<li>Il tutti finale si intitola Chorus of Delivery From the Egg.<\/li>\n<\/ol>\n<p>Gli strumenti utilizzati in ogni sotto-sezione sono:<\/p>\n<p>CASTOR<br \/>\n1. Leda and the Swan (Kithara II, Surrogate Kithara, and Cloud-Chamber Bowls)<br \/>\n2. Conception (Harmonic Canon II and High Bass Marimba)<br \/>\n3. lncubation (Diamond Marimba and Low Bass Marimba)<br \/>\n4. Chorus of Delivery From the Egg (All the foregoing instruments)<\/p>\n<p>POLLUX<br \/>\n1. Leda and the Swan (Kithara II. Surrogate Kithara, and Low Bass Marimba)<br \/>\n2. Conception (Harmonic Canon II and Cloud-Chamber Bowls)<br \/>\n3. lncubation (Diamond Marimba and High Bass Marimba)<br \/>\n4. Chorus of Delivery From,the Egg (All the foregoing instruments)<\/p>\n<p style=\"text-align: justify;\">CASTOR &amp; POLLUX is a dance-theater work with a beguiling program. It is structured in two large sections, each section comprised of three duets and a tutti. The first section is entitled CASTOR, the second, POLLUX. The first duet of each section is titled Leda and the Swan (insemination); the second, Conception; the third, Incubation; and the tutti. Chorus of Delivery From the Egg. By its contrapuntal texture. CASTOR &amp; POLLUX shows well the melodic capabilities of the instruments, and the two tutti section grand finales to the glory of birth.<\/p>\n<p><iframe loading=\"lazy\" title=\"PARTCH - &quot;CASTOR &amp; POLLUX&quot;\" width=\"584\" height=\"329\" src=\"https:\/\/www.youtube.com\/embed\/OnJs7ltkMvQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<div class=\"related-posts\">\n<div id=\"related-posts-MRP_all\" class=\"related-posts-type\">\n<h3>RELATED:<\/h3>\n<ul>\n<li><a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/213\">Gli strumenti di Harry Partch<\/a><\/li>\n<\/ul><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Castor &amp; Pollux (1952) \u00e8 un balletto strutturato in due grandi sezioni, la prima intitolata Castor e la seconda Pollux (i due dioscuri, figli di Zeus e di Leda, identificati con la costellazione dei Gemelli). La strumentazione \u00e8 quella tipica &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/622\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[212],"tags":[646,668],"class_list":["post-622","post","type-post","status-publish","format-standard","hentry","category-900-storico","tag-partch","tag-microtonalita"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/622"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=622"}],"version-history":[{"count":1,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/622\/revisions"}],"predecessor-version":[{"id":18414,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/622\/revisions\/18414"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}