George Crumb – An Idyll for the Misbegotten (1986)
\nper flauto amplificato e 3 percussioni
\nKristen Halay flauto, Brian Scott, W. Sean Wagoner, Tracy Freeze percussioni<\/p>\n
\nI feel that ‘misbegotten’ [trad: figlio illegittimo, bastardo]<\/em> well describes the fateful and melancholy predicament of the species homo sapiens at the present moment in time. Mankind has become ever more ‘illegitimate’ in the natural world of plants and animals. The ancient sense of brotherhood with all life-forms (so poignantly expressed in the poetry of St. Francis of Assisi) has gradually and relentlessly eroded, and consequently we find ourselves monarchs of a dying world. We share the fervent hope that humankind will embrace anew nature’s ‘moral imperative.’
\n[George Crumb]<\/p>\n<\/blockquote>\nCrumb suggests, “impractically,” that the music be “heard from afar, over a lake, on a moonlit evening in August.” (Crumb) Over a slow bass drum tremolo, the flute begins its haunting melody, which over the course of the piece includes quotations of Claude Debussy’s solo flute piece Syrinx and spoken verse by the eighth-century Chinese poet Ssu-K’ung Shu: “The moon goes down. There are shivering birds and withering grasses.” Far from a traditionally peaceful idyll, the music’s energy and dynamics gradually rise and fall, with a sense of desolation throughout.<\/p>\n