{"id":901,"date":"2008-02-20T00:01:59","date_gmt":"2008-02-19T23:01:59","guid":{"rendered":"http:\/\/www.maurograziani.org\/wordpress\/archives\/901"},"modified":"2025-08-22T18:14:36","modified_gmt":"2025-08-22T16:14:36","slug":"prior-art","status":"publish","type":"post","link":"https:\/\/maurograziani.org\/wordpress\/archives\/901","title":{"rendered":"Prior Art"},"content":{"rendered":"<p style=\"text-align: justify;\">Prior Art \u00e8 un bel brano per 10 strumenti di <a href=\"http:\/\/www.jasonfreeman.net\/\" target=\"_blank\" rel=\"noopener\">Jason Freeman<\/a>. Si tratta di un pezzo raffinato e delicato in cui, dietro all&#8217;apparente facilit\u00e0 delle parti, si nasconde un complesso equilibrio dinamico e timbrico.<\/p>\n<p class=\"MsoNormal\">La formazione \u00e8<\/p>\n<ul>\n<li>flute<\/li>\n<li>oboe (doubles on metal wind chimes)<\/li>\n<li>bass clarinet<\/li>\n<li>horn (doubles on suspended cymbal)<\/li>\n<li>piano<\/li>\n<li>percussion (vibraphone, crotales, snare drum, tam-tam)<\/li>\n<li>violin, viola, cello, and bass<strong><br \/>\n<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: left;\">\u00c8 anche possibile <a href=\"https:\/\/distributedmusic.gatech.edu\/jason\/music\/prior_art\/materials\/perusal_score.pdf\" target=\"_blank\" rel=\"noopener\">scaricarne la partitura<\/a>, sia pure in una versione di studio con watermark.<\/p>\n<p>Jason Freeman &#8211; <a title=\"Prior Art\" href=\"https:\/\/distributedmusic.gatech.edu\/jason\/_Media\/priorart.mp3\" target=\"_blank\" rel=\"noopener\">Prior Art<\/a> (2004), performed by Ensemble Surplus, James Avery, conductor, September 2005, Stuttgart, Germany.<\/p>\n<div class=\"related-posts\">\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Prior Art \u00e8 un bel brano per 10 strumenti di Jason Freeman. Si tratta di un pezzo raffinato e delicato in cui, dietro all&#8217;apparente facilit\u00e0 delle parti, si nasconde un complesso equilibrio dinamico e timbrico. La formazione \u00e8 flute oboe &hellip; <a href=\"https:\/\/maurograziani.org\/wordpress\/archives\/901\">Continua a leggere<span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[210],"tags":[767],"class_list":["post-901","post","type-post","status-publish","format-standard","hentry","category-strumentale-mus","tag-freeman"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/901"}],"collection":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/comments?post=901"}],"version-history":[{"count":3,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/901\/revisions"}],"predecessor-version":[{"id":18230,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/posts\/901\/revisions\/18230"}],"wp:attachment":[{"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/media?parent=901"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/categories?post=901"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/maurograziani.org\/wordpress\/wp-json\/wp\/v2\/tags?post=901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}