Una coppia di artisti concettuali russi (Vitaly Komar e Alex Melamid) ha cercato di determinare, mediante una serie di interviste, quali siano le caratteristiche musicali pi\u00f9 odiate in una canzone al fine di comporre il brano pi\u00f9 nefando di tutti i tempi. Fra le le cose pi\u00f9 citate troviamo le seguenti<\/p>\n
\nThe most unwanted music is<\/strong><\/p>\n
\n
- over 25 minutes long,<\/li>\n
- veers wildly between loud and quiet sections,<\/li>\n
- between fast and slow tempos,<\/li>\n
- and features timbres of extremely high and low pitch,<\/li>\n
- with each dichotomy presented in abrupt transition.<\/li>\n
- The most unwanted orchestra was determined to be large, and features the accordion and bagpipe (which tie at 13% as the most unwanted instrument), banjo, flute, tuba, harp, organ, synthesizer (the only instrument that appears in both the most wanted and most unwanted ensembles).<\/li>\n
- An operatic soprano raps and sings atonal music, advertising jingles, political slogans, and “elevator” music, and a children’s choir sings jingles and holiday songs.<\/li>\n
- The most unwanted subjects for lyrics are cowboys and holidays, and the most unwanted listening circumstances are involuntary exposure to commercials and elevator music.<\/li>\n<\/ul>\n<\/blockquote>\n
Poi, naturalmente, l’hanno composta. Eccovi quindi, di Vitaly Komar e Alex Melamid,\u00a0 The Most Unwanted Song<\/a><\/p>\n
Secondo gli autori, fatti i debiti calcoli statistici, questo brano dovrebbe essere gradito al massimo a 200 persone al mondo. Per quanto mi riguarda, nel complesso \u00e8 piuttosto orrendo, per\u00f2 alcuni punti mi piacciono…<\/p>\n