The Ghostvillage Project was created over 3 days on the west coast of Scotland. Six artists – Timid, Remi/Rough, System, Stormie Mills, Juice 126, Derm – were given free reign to paint in an abandoned 1970s village. Working together on huge collaborative walls and individually in hidden nooks and crannies all over the site the artists realised long held dreams and were inspired by the bleakness and remoteness of the site. Drawing on the history of the village the artists’ stated intent on completion of the project was to populate the Ghostvillage with the art and characters that it deserved.
Archivi categoria: Arte
Two videos, same music
A music video which was derived from the visuals for the Insen Live Tour of Alva Noto & Ryuichi Sakamoto where it was generated in realtime and shown on a LED Screen on the stage.
The same music as soundtrack of a video showing the City of Berlin seen from the window of a train.
Ballentine the bird
By Bradley Carter:
Ballentine the bird is a digital drawing about 20,000 pixels tall and 30,000 pixels wide (roughly 20×30 feet @72ppi). She was drawn using one-pixel wide scribble lines colored red, yellow, blue, white, and black. Because she is so big, I’ve used the OpenLayers mapping API (similar to Google Maps) to allow zoom and scrolling features.
The concept behind the drawing is based on the idea that digital images can be infinite in size. Drawing her entirely of one-pixel wide lines (labor-intensive) is an attempt on my part to undermine the idea that drawing on the computer is merely a shortcut. She was drawn in Photoshop using a Wacom tablet.
From Rhizome Artbase
4000 movies online
Open Culture has compiled a list of 4000 free movies online. Includes masterwoks by Eisenstein, Huston, Hitchcock, Wilder, Kazan, Kurosawa, Lang, Leone and others. Some movies are for U.S. viewers only.
Now look at the Battleship Potemkin in compressed mp4, but the movie is available also in a 2 Gbyte MPEG download.
Lo stesso film su youtube
Melting men
Brazilian artist Nele Azevedo created hundreds of sitting figures out of ice. The installation lasted until the last one melted in the heat of the day. Impressive.
Ex Libris
Sometimes ex libris is more valuable than the book containing it.
That’s the intro of a beautiful page from Dark Roasted Blend (one of my favourites non-musical blog) about this matter.
Take a look, it’s worth while.
A big screen
“The Place” in Beijing, China, is covered by a giant LED screen – 250m (820 ft) long and 30m (98 ft) wide – claimed as the biggest in the world.
from Dark Roasted Blend (scroll the page down)
Foto da iPhone
Koichi Mitsui è un fotografo professionista giapponese. Quando non è al lavoro per qualche rivista, gira per Tokyo facendo foto con il suo iPhone 3GS.
The iPhone has a single-focus lens with no zoom, and this simplicity keeps me devoted to only composition and the perfect photo opp
Sebbene queste immagini non abbiano la perfezione e la risoluzione a cui ci hanno abituato le attuali fotocamere digitali, a mio modesto avviso alcune sono molto belle.
The Feast of Trimalchio
Un estratto (10 min.) dal video The Feast of Trimalchio realizzato dal collettivo russo AES+F e presentato alla Biennale di quest’anno (2009). Una fantastica visione neo-barocca degli stereotipi del lusso nel terzo millennio. Il nostro presidente del consiglio lo amerebbe perché lo prenderebbe sul serio.
Occhio (orecchio) alla musica che secondo me è inserita benissimo e agisce da elemento estraniante non banale.
Questo è il trailer
Questo, invece, è un estratto (~10 min.) di come il pubblico lo vedeva alla Biennale in una saletta con 9 schermi (girato dal vivo, si vede anche il pubblico).
Comments from the authors:
In the ‘Satyricon’, the work of the great wit and melancholic lyric poet of Nero’s reign, Gaius Petronius Arbiter, the best preserved part is ‘The Feast of Trimalchio’ (Cena Trimalchionis). Thanks to Petronius’s fantasy, Trimalchio’s name became synonymous with wealth and luxury, with gluttony and with unbridled pleasure in contrast to the brevity of human existence.
We searched for an analogue in the third millennium and Trimalchio, the former slave, the nouveau riche host of feasts lasting several days, appeared to us not so much as an individual as a collective image of a luxurious hotel, a temporary paradise which one has to pay to enter.
The hotel guests, the ‘masters’, are from the land of the Golden Billion. They’re keen to spend their time, regardless of the season, as guests of the present-day Trimalchio, who has created the most exotic and luxurious hotel possible. The hotel miraculously combines a tropical coastline with a ski resort. The ‘masters’ wear white which calls to mind the uniform of the righteous in the Garden of Eden, or traditional colonial dress, or a summer fashion collection. The ‘masters’ possess all of the characteristics of the human race – they are all ages and types and from all social backgrounds. Here is the university professor, the broker, the society beauty, the intellectual. Trimalchio’s ‘servants’ are young, attractive representatives of all continents who work in the vast hospitality industry as housekeeping staff, waiters, chefs, gardeners, security guards and masseurs. They are dressed in traditional uniforms with an ethnic twist. The ‘servants’ resemble the brightly-colored angels of a Garden of Eden to which the ‘masters’ are only temporarily admitted.
On one hand the atmosphere of ‘The Feast of Trimalchio’ can be seen as bringing together the hotel rituals of leisure and pleasure (massage and golf, the pool and surfing). On the other hand the ‘servants’ are more than attentive service-providers. They are participants in an orgy, bringing to life any fantasy of the ‘masters’, from gastronomic to erotic. At times the ‘masters’ unexpectedly end up in the role of ‘servants’. Both become participants in an orgiastic gala reception, a dinner in the style of Roman saturnalia when slaves, dressed as patricians, reclined at table and their masters, dressed in slaves’ tunics, served them.
Every so often the delights of ‘The Feast of Trimalchio’ are spoiled by catastrophes which encroach on the Global Paradise…
Ocean & Cricket Music
Walter De Maria (nato ad Albany, in California, nel 1935) è uno dei principali esponenti della corrente artistica detta Land Art alla quale è passato dopo un’iniziale esperienza di scultore nell’ambito della Minimal Art (alcune sue opere di questo periodo, come “Balldrop” del 1961, si trovano al Guggenheim Museum di New York).
Tra gli anni ‘60 e ‘70 inizia a intervenire direttamente sul territorio con le sue monumentali earth sculptures: nel 1968, per esempio, disegna con la calce delle linee parallele all’interno del Mojave Desert, in California, mentre nel 1977, in occasione di documenta, la grande rassegna di arte contemporanea che si svolge a Kassel, in Germania, ogni cinque anni, fa penetrare nel terreno un’asta metallica per un chilometro.
La sua opera più famosa, però, rimane senza dubbio “The Lightning Field” (1977): in questa monumentale installazione posta in un angolo remoto del deserto del New Mexico De Maria cerca la complicità della natura per mettere in scena un evento sempre straordinario. Dopo aver conficcato in verticale nel terreno 400 pali metallici appuntiti su un’area di circa 3 chilometri quadrati, ne sfrutta l’effetto-parafulmine durante i temporali raccogliendo e moltiplicando la potenza dei fulmini a servizio di un grandioso spettacolo di luce (nell’immagine).
[da Wikipedia]
Non tutti sanno, però, che De Maria ha anche firmato alcune opere sonore in cui lui stesso suona la batteria e la mixa con field recording, ora disponibili su UbuWeb.